Tuesday, June 26, 2012

Rules of Dancing - Perfect Position

I'm taking another dance class over the summer - so it's time to add to my previous post on the Rules of Dance.


- Perfect Dance position is found when the lady's center meets the man's corner. To elaborate, my instructor always says that a man is like a two-by-four. If you imagine the corner of a two-by-four running from his right ear to his hip down to his right foot, you've got the man's corner on his point of perfect balance (right behind the first two toes). It's pretty clear where the lady's center is - right where the buttons of her blouse meet is how my instructor describes it. So, if you match her center to his corner, she'll be at a slight angle from him which will prevent her from being kicked.


- side note to perfect position - in Tango, the couple is supposed to imagine there's a china dinner plate between their hips. Too far apart and you get broken china everywhere. This is pretty specific to Tango, but it makes a big difference in dancing well.


- When you're dancing as the lady, always point your toes. you can try it to see the difference - step back normally and look at your foot. Then (if you're not already doing so) step back with your toes first. It adds about a foot to your stride and prevents you from being stepped on.


- For the individual, it's important to stand up straight while in dance position so you're not weighing down your partner. To do so, consider the three main parts of your body - the head, the rib cage, and the pelvic bone. If those three are in line. you will stand straight and dance well, if not, you fall over (think like a snowman).


- it is important that the lady never reach for the man. He controls where your dance position stands, and if you reach for him, you are out of balance, guaranteed. As an example, yesterday in class we practiced the proper way to get into tango dance position (though the principle is the same for all dances I think). Step 1 - the man steps forward on his left foot, extending his left hand to the lady. Step 2 - she steps into him with her right foot, placing her hand in his and staying poised on her right foot. Step 3 - he places his left arm on her back shoulder blade, at which she is prompted to place her hand on his deltoid. This should automatically cause a shift in weight to the other foot so that the couple stands in proper dance position and the man has his left foot (the lady the right foot) free to start the figure.


I'm sorry if that was boringly technical about dance - I'll try to remember to post more frequently with some other summer thoughts.

Monday, June 11, 2012

Kids and Strangers

Yesterday the pastor at my church used this example: he used to walk to and from elementary school. In the window of other houses, he'd see white handprints on green paper. It was a sign that if he ever needed help, he could go to that house. If he caused problems with other kids, a mom would come out of those houses and discipline him - always under the watchful eye of the 'white hand'.

I, as the oldest of nine, speak kid really really well. So when I'm on the playground or at the store and a stranger kid talks to me, I'll talk back. If they are bored, I smile at them. I have learned to be careful - you can't initiate it, and you always play with or talk to them in the sight of their mom, but kids generally realize it's OK to trust me. Today at Costco, the cutest little boy was talking to me, under the watchful eye of his big sister. When he left, the gentleman behind me and the woman across the aisle all smiled and said "bye, it was nice to meet you, have a good day bud", and other variations. For a brief second, several strangers were brought together for the protection of a child, all loving his bright little face and questions.

From the white hand elementary school parents back when my pastor was a kid to the young boy in Costco today, kids have a tendency to bring all of us together and to make us forget our differences. Maybe that's why we need to be like a little child to enter the kingdom of heaven - a child has no judgement, no fear - just a curious and loving trust.

Wednesday, June 6, 2012

Mad as a Hatter

I was talking to myself while waiting for my mom to pick me up from work yesterday, and I thought about how that is generally frowned upon in society. Which inspired the following poem:

They say that the first sign of madness is talking to yourself.
In that case, I've been mad as a hatter for years.
Is that the reason we invented the status, LiveJournal, and blogs?
With these, don't you feel like you have some one else's ears?


I write letters, and checklists and journals and...I write to myself.
When no one can hear, I argue both sides, and sometimes I talk with the moon.
I tell myself not to cry, not to get angry, that I am capable of passing that test.
Why does that have to make me a crazy loon?


It's not really as uncommon as you think:
Actors tell themselves to breathe before going on stage,
Kids play games and talk with imaginary friends,
why does this equal crazy when we age?


If talking to yourself is the first step toward going insane,
what's the second step? I'm driving down that lane!

If you're a member of my small faithful blog audience, I didn't post in May due to finals (and I thought you needed a break after a month of my blabbering) but hopefully I will be back to normal semi-weekly blogging through the summer.